- Want to know which protective enclosures to choose for your collection?
- Bewildered by the options and don’t know how to decide?
In Blog CC #3 we introduced you to ‘The six layers of enclosure’.
If so, you have all the information you need to look into costs more closely. It may be that you find there are cheaper alternatives to what you first thought necessary. Also, it doesn’t have to be done all at once – baby steps are fine! Continue reading
Thirty years ago, Nicholas Kingsley (late of this parish as it were) wrote an article for Country Life on the ‘conundrum’ of how Sir Robert Atkyns chose the places which Johannes Kip was asked to draw and engrave for inclusion in his Ancient and Present State of Glostershire published in 1712. Although there are 65 illustrations in the book, 60 of them the houses of the county gentry (61 counting Chepstow Castle which was not in Gloucestershire but was linked through the lord of the manor of Tidenham and the bridge over the Wye), there were yet others he might well have chosen. As we know, Gloucestershire was a big county, including those parishes in the diocese of Bristol when it was created in 1542 and much more recently in Avon and then in South Gloucestershire local authority areas. It must have taken Kip a considerable amount of time to travel around the whole county, as well as staying in each place long enough to carry out a simple survey and then to draw it. Kingsley suggested therefore he may not have been able to reach the farther bounds of the county. The engravings are a unique resource and particular ones are frequently used by local historians. The Gloucestershire Gardens and Landscape Trust is one such, using them to examine historic gardens and compare them with the present day. Continue reading
Had things been different, I would probably have spent part of this weekend preparing for my talk in the Hub about a Gloucestershire composer during World War Two. That composer was Ralph Vaughan Williams and, although I explained when asked to speak, that VW was in Surrey or London or Wiltshire for most of the war, but Vaughan Williams was after all a local man. As things have turned out my talk won’t happen and I am locked down in Yorkshire – Delius country, if we keep the musical analogy, or perhaps Black Dyke Mills. But I can still listen to Vaughan Williams on my headphones, and imagine the Cotswolds.
That is not too difficult because, just as last year when I made my audience sit through a recording of Holst’s Egdon Heath and imagine Hardy’s Dorset, so my plan this time was to play you part of the fifth symphony by Vaughan Williams, the most important and enduring work that he completed during wartime, and tell you about its background.Continue reading
A protective enclosure is the innermost layer of protection surrounding an item (see the 6 layers of protection diagram in blog #3). When well made, of stable archival materials, and designed to properly fit the item, a protective enclosure helps to protect against many of the “agents of deterioration” (see blog #4). Continue reading